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Installation photo from the Uncanny Forest show


We are a transdigital artist. Our art is an exercise in categorical violations, simulation, and narrative (translation: we are makers, rule-breakers, tricksters, and storytellers). We work across media and materials: painting, assemblage/collage, film, sculpture, and book-making, and purposefully refuse to discriminate between physical and digital tools. (This is an integration we refer to as “transdigital”).

The final products are a union of digital and physical medium such that the two become indistinguishable, and this ambiguity of medium is utterly intentional. This is a both-neither art — a cyborg art — half digital and half organic.

Our work intentionally destabilizes genre, both in terms of content and media, an intention born out of personal identity as a queer feminists. We are interested in subtle ways to defy comfortable expectations. Our subject matter is also liminal, often featuring characters of uncertain biological identity (blurring the lines between genders and between humans, animals, and machines), or objects caught between two states of being. We create work that is simultaneously repulsive and beautiful, and I use this uncomfortable dichotomy to pull my audience in to the polyphonic narratives embedded in my work.

The work is deeply informed by our academic background in antiquities, mythography, intellectual history, and literary theory — our paintings, assemblages, and films transform the foundational myths and metaphors of Western culture to hint at a new post-postmodern (and quite often post-apocalyptic and post-human) mythos.

— mandem



MANDEM (MFA, Studio Art) - Painting, Assemblage/Collage, Film, Sculpture, Book-Making. With an academic background in mythology, critical theory, and gender/queer studies, MANDEM works across media and materials, intentionally destabilizing genre in terms of content and media. MANDEM's work has been widely exhibited and published. As Maize Arendsee, MANDEM can be found teaching university-level art classes and presenting original art historical research at academic conferences.